Turn my uploaded image into a standalone sticker suitable for an animated reaction. Automatically identify the main subject: For a person, preserve recognizable facial features, hairstyle, clothing, and expression. For an animal, preserve its breed characteristics, fur color, markings, and expression. For an object, preserve its distinctive silhouette, structure, and main colors. If the image mainly depicts a scene, turn the entire scene into a sticker with a simple outline. Use a cartoon sticker style with subtle depth, clear contours, rounded forms, and a touch of humor. Do not give different subjects the same generic face. Do not add limbs to objects that do not have them. Add a clean white die-cut border around the sticker. Center the subject with ample space on every side, without cropping it. Generate only one sticker, not a grid. Add no text, and do not show the sticker applied to another object. Use a square 1:1 canvas. Output a PNG with a true alpha-transparent background; do not draw a checkerboard into the image.
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Prompts de GPT Image y plantillas de vídeo
Explora prompts de imagen y vídeo. Filtra por tipo, modelo y categoría, personaliza una plantilla y empieza a crear. GPT Image 2.5 · Seedance · Wan.
121 prompts
Las plantillas de imagen están escritas en inglés.
Create a Meme sticker pack based on the images attached, remixing with 😎😛💕🚀🥳. Use exaggerated internet-reaction expressions, including crying, confusion, shock, smugness, side-eye, and deadpan disbelief, with awkward poses, low-fi cutout textures, and absurd humor. Create a single square(1:1) transparent sticker sheet with nine distinct stickers arranged in a 3×3 grid, each showing a different expression, pose, or reaction. Separate the stickers with wide, fully transparent gaps. No background, shadows, or overlapping elements.
Turn the main person, animal, or cartoon character in my uploaded image into a personalized chat sticker pack. First identify the subject's most recognizable features, then translate them consistently into a simple, expressive, slightly exaggerated hand-drawn sticker style. Preserve facial proportions, hairstyle or fur, distinctive markings, clothing, and main colors. Do not turn the subject into a generic character. Generate one neatly arranged 3×3 grid. All nine cells must depict the same character with a consistent appearance and art style. From left to right, top to bottom, show: Laughing happily; utterly confused; completely speechless. Suddenly shocked; upset and about to cry; secretly smug. Extremely sleepy; puffed up with anger; expressing affection. Each cell must have a clearly different expression and pose that remains readable at a small size. Movements must suit the subject's anatomy; do not attach a realistic human body to an animal. Leave empty space around each sticker. Stickers must not touch. Do not draw dividing lines or add text. Use a pure white background and a square 1:1 canvas.
<Sujeto> <acción o evento principal> en <escenario y entorno>. La imagen tiene <estilo visual>. Usa <tamaño de plano, ángulo, movimiento de cámara o corte>. El sonido incluye <diálogo, ambiente, efectos o música>.
Use the image generation tool and my single uploaded image as the character reference to generate a six-frame action sequence sheet for a looping GIF. This step must generate new action drawings. Do not substitute Python translations, rotations, scaling, or local stretching of the original image for drawing new poses. CHARACTER AND ACTION Identify the main person, animal, or cartoon character. Preserve its recognizable facial proportions, hairstyle or fur, markings, clothing, accessories, and main colors. If the source is already a sticker or illustration, keep its style. If it is a photograph, convert it consistently into a simple, expressive hand-drawn sticker style. Create only one reaction or action: [Enter an action here, such as laughing happily. If left blank, choose one suitable action based on the uploaded image.] Develop this one action throughout; do not draw six unrelated expressions. SIX CONSECUTIVE STAGES Read left to right, top to bottom: Frame 1: Starting pose, before the action fully develops. Frame 2: Anticipation begins; the face and relevant limbs start to change. Frame 3: The action develops and the expression clearly intensifies. Frame 4: Peak action, with the emotion most clearly expressed. Frame 5: The action subsides and the character begins to recover. Frame 6: Near the starting pose, ready to reconnect smoothly to frame 1. Design the mouth, cheeks, eyebrows, eyes, and body pose in each frame for the chosen action. At least one facial feature must show a clear, continuous change, supported by body movement: for example, a mouth gradually opening and cheeks rising during laughter, or an opening mouth and dropping jaw during surprise. Redraw the same character's facial features and limbs at different moments as needed. Preserve identity and design without freezing the eyes, mouth, and pose. If the character wears sunglasses, keep them and express emotion through the mouth, cheeks, chin, and body; do not invent visible eyes through the lenses. Animal movements must respect their anatomy. FRAME CONSISTENCY Keep the camera, viewpoint, lighting, art style, and base character size fixed. Use the same composition coordinates and body anchor position in every cell. Local contours may change with the action, but do not resize the character in each frame to fill the cell. Clothing, accessories, limb count, and fur markings must not change without reason. Existing props and decorations may move naturally with the action, but must not randomly appear or disappear. SHEET LAYOUT Use 3 columns × 2 rows, with an overall aspect ratio of 3:2 and six equal square cells. Use a regular invisible grid, with no dividing lines, outer border, text, or frame numbers. Each cell contains one complete character, including its props and decorations. Leave approximately 15% safety space around it; nothing may cross into a neighboring cell. Use a true alpha-transparent background, without white panels or a painted checkerboard. Preserve the sticker's white outline and white details within the subject. DELIVERABLE Generate the six-frame action sheet directly. Do not make the GIF yet.
Use the main product in my uploaded image as the sole product reference to generate a high-quality base image for a subsequent animated advertisement. Strictly preserve the product's silhouette, proportions, structure, colors, materials, logo, brand name, label text, packaging information, and every recognizable detail. Do not redesign the product or add text, selling points, prices, specifications, decorative elements, or accessories absent from the source. Use high-end commercial product photography. Place the product centrally, facing the camera, with a camera as steady as if mounted on a tripod. Maintain natural perspective and realistic proportions, with generous safety space around the product. Use a simple, neutral, unobtrusive studio background. Choose off-white, light gray, warm gray, or another suitable neutral based on the product's colors. Avoid complex scenes, props, or obvious textures. Use soft, restrained, even baseline studio lighting. Do not add a visible light sweep, strong strip highlights, dramatic shadows, or localized overexposure at this stage. Keep exposure balanced and render glass, metal, plastic, fabric, leather, and liquids realistically. Metal may have natural reflections; frosted materials should remain soft; transparent or translucent materials should retain realistic light transmission. Do not change the product's original material to make it look more luxurious. This image will be a completely fixed base frame for the subsequent animation. Prioritize accurate, stable product structure, logo, label, and text. The result should be clean, restrained, and refined, like a finished studio product photograph that only needs moving light added over the fixed image.
Edit image 1 by replacing its main product with the product in image 2. Strictly separate the two references' roles: Image 1 determines only the advertising composition, background, lighting direction, decorative elements, and text layout outside the product. Image 2 determines only the new product's actual shape, structure, materials, colors, logo, and packaging information. Remove the old product from image 1 and place the product from image 2 naturally in the same area. Preserve the new product's true width-to-height proportions. Do not squash, stretch, or restructure it to fit the old silhouette. You may resize the whole product proportionally to fit the layout. Change only the area occupied by the new product and the contact shadows, occlusion, and local reflections necessarily affected by the replacement. Do not remake the entire poster. Keep all headings, text content, fonts, font sizes, positions, background textures, decorative elements, and canvas dimensions outside the product unchanged. Do not blend the two product designs. Retain none of the old product's cap, handle, label, or other parts. Do not add accessories absent from image 2, guess illegible packaging text, or change the product's colors to match the background. Output only one complete poster with the product replaced.
@Image1 define <rostro, vestuario, estructura o material> de <sujeto>; no uses <contenido irrelevante>. @Video1 define <acción, movimiento de cámara o ritmo>; no uses <contenido irrelevante>. @Audio1 define <voz, diálogo, ambiente o música> de <personaje o tipo de sonido>. <Sujeto> completa <acción o evento principal> en <escenario>. Usa <estilo visual> y <dirección de cámara>.
Dress the person in image 1 in the top from image 2, producing a realistic virtual try-on image. Image 1 determines only the person's identity, body proportions, pose, camera angle, and background. Image 2 determines only the top's style, color, fabric, cut, patterns, and details. Preserve the person's face, hairstyle, skin tone, body shape, and original pose. Replace only the top. Do not change shoulder width, waist size, or body proportions to make the clothing look better. Accurately preserve the neckline, sleeve shape, placket, pockets, buttons, and all other visible construction details. Keep existing prints, embroidery, logos, and text in their corresponding positions on the garment. They may bend and wrinkle naturally with the fabric, but must not be rewritten, mirrored, added, removed, or moved elsewhere. Let the fabric drape plausibly over the shoulders, arms, and torso. Preserve its apparent thickness and surface texture. Do not turn knitwear into smooth plastic or structured fabric into thin, clingy cloth. Show the front view. Do not invent a back design absent from the reference. Preserve the original lighting and environment so the replacement clothing blends naturally into the photograph. Output one try-on image, without added text or a before-and-after comparison.
Place my uploaded transparent or translucent product into a new commercial photography scene. Preserve the product's silhouette, proportions, thickness characteristics, bottle neck or opening structure, label position, and readable packaging text. If it contains liquid, preserve the liquid's color and fill level. Use a dark gray studio background and a dark, low-reflectivity tabletop. Place a large, soft light source on one side and a restrained warm rim light behind the product. Pay particular attention to the product's optical relationship with the new environment: Transparent regions must reveal the new background, without retaining colors or objects from the original background. Render visually plausible transmission and refraction based on the product's shape. Surface reflections must match the new light sources. Keep a natural contact shadow beneath the product. Reflections, illumination, and the background seen through the product may change, but the product's structure, color, label, and contents must not. Do not turn transparent glass into opaque plastic, frosted material into perfectly clear glass, or add chrome effects where none existed. Preserve the original camera angle; do not show an unreferenced back view. Generate only one 3:4 portrait product photograph, with no added props or copy.
Using my two uploaded images, generate a natural, believable photograph of a real person presenting a product. Image 1 is the person reference and determines identity, facial features, hairstyle, skin tone, and clothing. Image 2 is the product reference and determines shape, structure, colors, materials, logo, and packaging information. Have the person in image 1 naturally hold the product in image 2 as if presenting it to the camera. Place the product in front of the chest or slightly forward beside the body, with its main display surface facing the camera and without blocking the face. Choose a plausible grip for the product's shape. Fingers should naturally wrap around, support, or pinch it, with correct occlusion, contact shadows, and weight support. Hands must not intersect the product, and the product must not float above the palm. Preserve the person's recognizable facial proportions, apparent age, hairstyle, and skin detail. Do not replace the face or change the body shape. The arms and hands may change pose as needed to hold the product. Do not redesign the product. Preserve its silhouette, cap or other structure, label position, main colors, and readable text. Do not mirror the logo or add accessories. Light the person and product consistently to avoid a pasted-on appearance. Keep the background from the person's photograph, simplifying distracting elements where appropriate. Use a 3:4 portrait composition with both person and product clearly visible. Add no headline, slogan, or customer testimonial.
[PERSONAS] <Persona A> = @Image1. Usa solo apariencia, pelo y vestuario. <Persona B> = @Image2. Usa solo apariencia, pelo y vestuario. No intercambies apariencia, movimientos, posiciones escénicas ni diálogo entre personas. [OBJETOS] <Objeto A> = @Image3 y pertenece únicamente a <Persona A>. [ESCENARIO] <Escenario A> toma de @Image4 solo el espacio, los materiales y la luz. No uses personas de esa imagen. [ACCIÓN Y SONIDO] @Video1 define <acción>; no uses su persona ni su escenario. @Audio1 define la voz y el diálogo indicado de <personaje>. Escena 1 | <nombre> Usa: <personas, objetos, escenario y referencia de movimiento>. Evento: <un evento principal>. Estado final: <estado estable y directamente observable>. Escena 2 | <nombre> Usa: <referencias necesarias en esta escena>. Evento: <un evento principal>. Estado final: <estado estable y directamente observable>.
Combine my uploaded product photographs into one group product image with a unified photographic style. Treat the main product in each reference image as a distinct object that must not be confused with another. Every product must appear exactly once in the final image: none omitted, duplicated, or merged. Accurately preserve each product's own shape, structure, colors, materials, logo, labels, and readable text. Do not mix caps, color schemes, packaging patterns, or labels between products. Arrange all products on the same studio tabletop in a simple, layered composition. Slight front-to-back overlap is allowed, but the main display surfaces and branding must remain clearly visible. Retain the angles already shown in the reference images as much as possible. Do not invent back views that lack a reference. Unify lighting direction, color temperature, sharpness, and contact shadows so the products look as though they were photographed together. Avoid a collage in which each product retains different lighting or a different background. Use a simple neutral background that complements the group without competing with it. Do not change product colors to suit the background. Add no unprovided products, gifts, gift boxes, shopping bags, prices, or promotional text. Generate one square 1:1 group product image, keeping all products completely inside the frame.
Change only: [the intended change]. Must preserve: [identity, composition, object positions, text, colors, and other essential details]. Allowed changes that follow from the edit: [necessary contact shadows, reflections, and occlusion].
Use image 1 only to establish the subject's identity and appearance. Use image 2 only as a reference for colors, brushwork, and material texture. Use image 3 only as a reference for composition and the subject's size within the frame. Do not bring the person from image 2 or the objects from image 3 into the final image.
[OBJETIVO] Crea un <tipo de vídeo>. El sujeto central es <sujeto>; la historia principal es <resumen>. [FASE 1] Inicio: <estado inicial de personas, objetos y escenario>. Evento principal: <una acción o evento>. Final: <posiciones, pertenencia de objetos o estado visible>. [FASE 2] Conserva: <estado que debe mantenerse>. Evento principal: <una acción o evento>. Final: <estado observable>. [FASE 3] Evento principal: <evento de cierre>. Final: <estado visible final>. [MANTENER COHERENTE] Mantén estables <identidades, número de personas, vestuario, pertenencia de objetos, dirección espacial y relaciones sonoras>.
The image must contain the following text exactly as written, with each item appearing only once: "[HEADLINE]" "[SUBTITLE]" Place the headline at [POSITION] and the subtitle at [POSITION]. Do not add any other text.
Use a restrained color palette and a clear visual hierarchy. Preserve realistic material details and reduce decoration. Leave a large area of quiet negative space around the subject. Use soft side lighting to reveal surface contours, avoiding oversharpening and exaggerated highlights.
First identify the clearest relationship within the theme, then translate it into a visible visual event. Use only one central metaphor per image. Let the subject, action, and spatial relationships carry the meaning. Do not crowd the image with multiple symbols or rely on explanatory text to make it understandable.
[OBJETIVO DE EDICIÓN] Edita @Video1. Durante <todo el clip o intervalo exacto>, <añade, elimina, sustituye o ajusta> <objeto visual, región o tipo de sonido>. [REFERENCIA PRINCIPAL] @Video1 es el único vídeo principal de edición y define <personas, escenario, acción, composición, cámara, oclusión, sonido y orden de eventos>. [REFERENCIA DEL OBJETIVO] @Image1 o @Audio1 define <propiedades concretas del objeto o sonido objetivo>. [ALCANCE] Cambia solo <objeto, región, intervalo o tipo de sonido>. [CONSERVAR] Conserva de @Video1 <imágenes, acciones, sonidos y tiempos que no se modifican>.
Frame [person] from the chest up against a warm gray backdrop. Place a large softbox at camera left and a white reflector opposite. Use an 85mm portrait perspective. Keep pores visible, eyes sharp, and wardrobe understated.
Prepare a square profile portrait of [person] for [profession]. Leave room around the head for a circular crop. Choose a relaxed expression and indirect window light. Avoid beauty filters and distracting accessories.
Photograph [model] wearing [outfit] beside a sculptural concrete wall. Let the garment silhouette lead the composition. Use a low camera position, a restrained palette, and crisp directional light. Include believable fabric folds.
[OBJETIVO DE EDICIÓN] Edita @Video1, cambiando solo <objeto original> por <objeto objetivo>. [REFERENCIA PRINCIPAL] @Video1 es la única referencia principal para escenario, cámara, movimiento de cámara, trayectoria, oclusión y orden de eventos. [REFERENCIA DEL OBJETIVO] @Image1 define <apariencia, estructura o material> del objetivo. No uses <fondo, personas o composición irrelevantes>. [ALCANCE] Cambia solo <objeto y región exactos>. El clip completo contiene exactamente <cantidad> objetos objetivo. No cambies <contenido protegido>. [CRONOLOGÍA] El objetivo hereda cada aparición, movimiento, oclusión, momento de salida, duración, trayectoria y cambio de velocidad del objeto original. Conserva todas las demás personas, objetos, escenarios, cortes y eventos.